Sexually Objectifying Music Videos and Lyric Increase Sexual Violence Research Paper

Sexually Objectifying Music Videos and Lyric Increase Sexual Violence - Research Paper Example pared to male characters since music videos portray women as sex objects because they use revealing or provocative clothes which display excessive skin exposure. Recent analysis of rap and hip hop music videos documents the presence of misogyny, which is defined as a sexualizing women and the dominance of men over women. The theme is visible in when numerous and highly sexualized women dance provocatively while wearing revealing clothes and being submissive to male artists other characters who are male in the music video. The result suggests that even though male characters are associated with various themes, female characters are mostly associated with position of objectification. Another recent content analysis study examined various sexual objectifications in other video music genres that include country and hip hop. The study showed that most of the sample video of female artists contained sexual objectification indicators like close-up shots of private body parts, touching of pe rsonal sexual body parts, sexualized dancing or ample skin exposure. Therefore, sexual objectification is not exclusively done to female characters by their male counterparts; but rather most female artists engage in acts of sexual objectification of their bodies. In accordance with objectification theory, sexual objectification is conceptually defined as a considering an individual as a body only valued by its use by others. Thus, basing on the definition, sexual objectification operationalized both in visual representation of female artists’ bodies and their behavior. Sexual objectification is common in media culture; however, music videos offer the potent example of it (Aubrey, Megan and Wanjiru 365). To understand how exposure to sexually objectifying music videos link to constructs... This "Sexually Objectifying Music Videos and Lyric Increase Sexual Violence" outlines how such types of video affect level of sexual violence. Research show that music video often differs in the way they portray men and women; generally showing men in more positive light compared to females. Specifically women are depicted in positions of submission compared to men; besides, men are likely to perpetuate violence and women are portrayed as victims. Music videos often show women dressed in provoking clothing specifically in sexually objectified music videos, the variation in the depictions of both men and women signifies the significance of considering gender differences in music video (Conrad, Travis, and Yuanyuan 137-138). Significant increase in sexualized videos results in idealized body perfection in young children, which is difficult to attain even for models that perpetuate the industry practice. Objectified music videos lead people to believe in reality that never exists which is detrimental especially to adolescents. Repeated exposure to sexually objectified music results in gender-stereotyped ideas and images that contribute to sexist attitudes and beliefs like sexual harassment and etc. Though, sexual objectification is one type of gender harassment, it takes into consideration other hosts of oppressions that women face ranging from employment discernment, trivialization and sexual violence. Consumption of sexually objectified music allows women to accept the tendency of viewing women as objects.

Desiderius Erasmus Essay Example | Topics and Well Written Essays - 750 words

Desiderius Erasmus - Essay Example But â€Å"he showed discretion in his choice of tactics. If you wish to bring about peacefully true and lasting reforms, you do not, like the fanatics, indiscriminately attack not only the ideas you oppose but also the honesty, integrity, and sincerity of those who hold them. If you wish to convince a person he should change his ways, for instance, you do not hit him on the head with a bat.† (Thornton, 2005) Even though Erasmus’ reputation was somewhat diminished by his pragmatist attitudes his legacy is growing in retrospect. This is in large part due to the growing popularity and interpretive richness of some of his books. These famous books include Handbook of a Christian Knight, On Civility in Children, The Praise of Folly, Copia: Foundations of the Abundant Style, On Free Will, Julius Exclusus, etc. As this partial list of his oeuvre illustrates, Erasmus was a true polymath. His body of work is informed but not limited by the spirit of Christianity. For instance, n owhere else is this best exemplified than in his Colloquies, which is full of â€Å"nonchalant erudition, eloquence and profundity. Almost nothing, from war and peace to alchemy and salt herring, falls outside his purview. It is a treasure house of theological wisdom dressed in the finest verbal ornament of the age.† (Bauman, 1999, p. 536) In this sense, he truly remains a luminous pioneer of Humanism. Although Erasmus was a contemporary of Martin Luther they disagreed on several critical issues. Despite the comprehensive and persuasive arguments that Luther presented in his Ninety-Nine Thesis, Erasmus was not easily willing to concede the moral failings of the then existing Roman Catholic order. Conservative in nature and skeptical of the emotional appeal of radical revolution, Erasmus was to remain indifferent to Lutheranism and the Protestant Reformation that was beginning to spread across Europe. Instead Erasmus preferred slow and gradual reform in the Church without dism antling its power structure. To Erasmus, religion meant â€Å"purity and justice and mercy, with the keeping of moral commandments, and to him these Graces were not the privilege of any particular creed.† (Thornton, 2005) In hindsight, some of his apprehensions about the Protestant Reformation were proved correct when several European societies fell into disorder. Some of the most glaring collapses of social cohesion was the German Peasants’ War and the Anabaptist disturbances. Soon what began as rebellions within the Church would snowball into a class conflict. Desiderius Erasmus created controversy through his refusal to discard certain primitive Christian doctrines. The idea of ‘free will’ is one which he held on to even as his contemporaries both within and without the faith was moving toward accepting the doctrine of ‘predestination’. Although the Catholic Church itself had at times viewed Erasmus with suspicion and blamed him for the gro wth of Protestant faction, he was at heart and deed a man of religious toleration. (Olin, 1979) This is best exemplified in his work De Libero Arbitrio. Though meant to be a polemic to Martin Luther’s dominant views the tone and temperament of his arguments and language were admirable. It illustrated Erasmus’s belief that even disputes of faith should be conducted in an orderly, respectful and courtly manner. Erasmus declared that "courtesy